SKU: 26819542181
boss ad 3 pedal

boss ad 3 pedal Boss SDE-3 Dual Digital Delay Pedal

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Description

boss ad 3 pedal Boss SDE-3 Dual Digital Delay PedalBoss SDE 3 Dual Digital Delay Pedal The new SDE 3 Dual Digital Delay fuses the authentic sound and core features of the legendary Roland SDE 3000 with versatile modern functionality and extended creative range. Introduced in 1983, the SDE 3000 was the Digital Delay of choice for some of the most influential guitarists of all time and is still revered for its beautifully rich sound and distinctive modulation. The inspiring SDE 3 levels up your

Boss SDE-3 Dual Digital Delay Pedal

 

The new SDE-3 Dual Digital Delay fuses the authentic sound and core features of the legendary Roland SDE-3000 with versatile modern functionality and extended creative range.

Introduced in 1983, the SDE-3000 was the Digital Delay of choice for some of the most influential guitarists of all time and is still revered for its beautifully rich sound and distinctive modulation.

The inspiring SDE-3 levels up your pedalboard with timeless Digital Delay effects. Dripping with warmth and musicality, this feature-packed compact pedal boasts the iconic vintage digital tones of not one but two SDE-3000 rack units. Using dual parallel delay lines, you can create an extraordinary sense of dimension in your music with complex sounds that are otherwise unavailable.

Bottling the essence of Roland’s ‘80s outboard classic, it’s now easier than ever to sculpt head-turning Digital Delay effects in mono or stereo using the SDE-3’s innovative Offset knob. Explore retro single delays and ’80s-style mod/delay combos. Or tweak the mod and high-cut controls to conjure moody, atmospheric tonalities for ambient, chill, and lo-fi music.

Features

  • The iconic character of the Roland SDE-3000 rackmount delay in a BOSS compact pedal
  • Beautiful vintage digital delay tones with expanded creative range
  • Distinctive modulation with independent Rate and Depth knobs
  • Hi Cut control for shaping the high-frequency amount
  • Variable Offset feature for creating unique sounds with a secondary delay line
  • Adjustable maximum delay time: 800 ms (mono/stereo) or 1600 ms (mono)
  • Two stereo delay options: panning and discrete stereo
  • Versatile output modes: stereo, wet/dry, and dry mute (mono or stereo)
  • Tap tempo and carryover functions
  • Jack for extended control with up to two footswitches or an expression pedal
  • TRS MIDI input for syncing to external MIDI clock signals
  • BOSS five-year warranty

 

Specifications

Sample Rate:  48 kHz

AD Conversion:  24 bits + AF method
AF method (Adaptive Focus method) This is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters.

DA Conversion:  32 bits

Nominal Input Level:  INPUT A (MONO), INPUT B: -20 dBu

Maximum Input Level: INPUT A (MONO), INPUT B: +7 dBu

Input Impedance:  INPUT A (MONO), INPUT B: 1 MΩ

Nominal Output Level:  OUTPUT A (MONO), OUTPUT B: -20 dBu

Maximum Output Level:  OUTPUT A (MONO), OUTPUT B: +7 dBu

Output Impedance:  OUTPUT A (MONO), OUTPUT B: 1 kΩ

Recommended Load Impedance:  OUTPUT A (MONO), OUTPUT B: 10 kΩ or greater

Bypass:  Buffered bypass

Controls

TIME knob
FEEDBACK knob
LEVEL knob
DEPTH knob
RATE knob
HI CUT knob
OFFSET Knob
Pedal switch
CARRYOVER switch

Indicator:  CHECK indicator (Used for indication of Tempo and check battery)

Connectors

INPUT A (MONO) jack, INPUT B jack, OUTPUT A (MONO) jack, OUTPUT B jack: 1/4-inch phone type
CTL/EXP jack: 1/4-inch TRS phone type
DC IN jack
MIDI IN jack: Stereo miniature phone type

Power Supply:  Alkaline battery (9 V, 6LR61 or 6LF22, commercially available)
AC adaptor (PSA series: sold separately)

Current Draw:  75 mAExpected battery life under continuous use

Alkaline: Approx. 4.5 hours

*These figures will vary depending on the actual conditions of use.

Accessories

Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information")
Dry battery (9 V, 6LR61 or 6LF22)

Size and Weight

Width:  73 mm/2-7/8 inches

Depth:  129 mm/5-1/8 inches

Height:  59 mm/2-3/8 inches

Weight (including battery):  450 g/1 lb

* 0 dBu = 0.775 Vrms*The specifications are subject to change without notice.

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SKU: 26819542181

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sandyrouse
Carnegie, US
★★★★★ 5
Excellent and in-depth archeologic finds that authenticate Bible history.
Format: Paperback
Archeology is proving much of the Bible's history as true. This book really delves into various sites and provides a lot of detail. My type of reading.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 21, 2026
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Angie Criss
Pawtucket, US
★★★★★ 5
Great information and pictures
Format: Paperback
Great information on Biblical sites, beautiful pictures, and a pretty book as well. I gave several of these to my family for Christmas. Everyone seemed to love them. The only thing I will caution you about is that the book is small.
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Reviewed in the United States on January 22, 2026
M
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Mareadas
Charlottesville, US
★★★★★ 4
Knowledgeable and delectable book.
Format: Paperback
This book shows an excellent archaeological evidence of the Bible accuracy of places, names, events, etc. and proving for the Christians that the Bible is a historical document as well as the inspired inerrant word of God. The majority of the book is interesting and delectable, I mean, the pages where the author presents archaeological facts such as the artifacts and their correlation with people, places times, events and practices recorded in the Bible. But I do not like when the author make personal assumptions and do not present any proof of that. He says: it probably be…. it may be… Here I show three cases of this conjectures;: 1.The author seems to affirm that the triumphal entry of Jesus into Jerusalem, or at least, the name of this event, was derived from the Roman triumph celebration. He says (page 231), regarding to the Roman Empire and the life of Jesus: “By the time of Jesus, the requirements and meaning of a triumphal entry had shifted slightly from its earlier roots associating it with a conquering hero, as it became even more significant and representative of kingship and divinity”. He continues to say: “In ancient Roman culture, a triumphant victor, known as vir triumphalis (“man of triumph”) would enter the city in a celebration parade wearing the laurel wreath and a purple garment, which identified him with the royal and the divine, while riding in a chariot pulled by four horses, alluding to Sol the sun god”.  But if we compare the Roman triumph celebration with the entry of Jesus into Jerusalem described in the Bible, it is not derived from the Roman culture but is the exact fulfillment of the prophesy of Zechariah 9:9. I do not see any correlation between the two celebration; Jesus did not ride a horse but a donkey to signify peace, meekness and humility. It was not a pompous entrance of a conquering hero or king wearing a expensive garment and royal crown. 2.Even though, it is not possible to identify the location of the tomb of Jesus with absolute certainty; the author states (page 199) that the tomb of Jesus is located at the Church of the Holy Sepulchre possible based on “the restoration work to the edicule and an arcosolium tomb from the Roman period found in the church of the Holy Sepulchre”. The author also affirms without giving any proof that: “Christians in Jerusalem then passed down a continuous memory of the location of the tomb (of Jesus) from the time of the burial and resurrection in AD33 until construction of the Church of the Holy Sepulchre was started in about AD326”. But where are the records of that time? The author probably based his statement on Eusebius who lived in the 3rd and 4th centuries AD. According to the history , the Church of the Holy Sepulchre was built by the Roman Emperor Constantine around 326 AD, when her mother the Queen Helena, wanted to replace the pagan temples with Christian churches; she met the Bishop Macarious of Jerusalem who determined the location where Jesus had been buried at the place where was a temple to the Greek goddess Venus. At the beginning of the construction of the church, a rock-cut tomb was found there and an edicule was built to protect the site. But later the edicule was destroyed and rebuild. More tombs has been found under this church. How to be sure or verify that this rock-cut tomb was the one where Jesus was buried? 3.The author is biased with respect to the Masoretic Text, he make a statement but does not support it with any evidence in this regard. Writing about the Dead Sea Scrolls (Page 173) he states: “And certain passages in the Masoretic text seem to have been intentionally modified to match ideas and theology of medieval Judaism.” it is a bad accusation.
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Reviewed in the United States on April 23, 2021
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Harold Lau
Birmingham, US
★★★★★ 5
Great Worth
Format: Paperback
The Book That Must Be Read!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 18, 2026
B
Verified Purchase
brooke
Dallas, US
★★★★★ 5
Great purchase
Format: Paperback
Loved this purchase! Very in depth and images are great.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 16, 2026

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